viernes, 24 de mayo de 2019

Ópera fallida 50 años...

Ayer mientras conducía por la mañana, en Barriupedia de Radio 3, comentaban que se cumplían ayer mismo, 50 años de este estreno. 

Ópera Rock. 
Error. 
La ópera es ópera y su creación e interpretación no es apta para todos los públicos. Se siente...

Y el rock, está muy bien. Puede ser muy bueno, y muy divertido. Y hacértelo pasar muy bien, un ratito, pero son 4 acordes. ¿O no? Y como mucho...






The Who release their album Tommy, a rock opera about a deaf, dumb and blind boy who plays a mean pinball.

Tommy (1969) is a lavish concept album from British rock band The Who, which spreads across two LPs. Unusual for a record by a British act, Tommy is released in the US a week earlier than in the UK - due to problems with the production of the album cover. The record is a critical and commercial success, eventually being certified double platinum in the US and selling more than 20 million copies worldwide. It also introduces a new genre: Rock Opera.

The Who's guitarist and principal songwriter, Pete Townshend, has been seeking a way to move on from the 3-minute pop single after the group's early success with short-form radio-friendly songs such as "My Generation." Tommy builds on the symphonic structure of the band's experimental 9-minute epic "A Quick One While He's Away" - from The Quick One (1966), and the story-telling aesthetic of their last concept album: The Who Sell Out (1967). 


Tommy tells the tale of the titular hero, who is struck deaf, dumb and blind after witnessing a murder. His parents neglect him, and he suffers abuse from his cousin and uncle. He later discovers he is a master of the arcade game pinball - the lack of visual and auditory distractions enabling him to master the game by using vibrations to sense the ball's position. After a doctor realizes his affliction is mental, rather than physical, Tommy recovers his senses and starts a religious cult. Finally, after being rejected by his new-found followers, he withdraws once again. 


The extracted single "Pinball Wizard" becomes a hit in the UK, and the album is later developed into an acclaimed movie by Ken Russell in 1975. The cinematic version features new, re-recorded versions of the album's songs as well as some additional Townshend compositions, all of which are performed by the actors themselves. A stage musical version is also developed in 1992. Surprisingly, it takes until 1994 for a Tommy-themed pinball machine to appear, featuring imagery and sounds from the Broadway production.